Stasi-Weissensee Lehderstraße 80 13086 Berlin-Weissensee
Stasi-Weissensee
Lehderstraße 80
13086 Berlin-Weissensee
Phone: 030-923 76 945
Funk: 0171-634 36 68
Fax: 030-920 92 782
Monday - Friday 9 - 18 clock
Saturdays by appointment 11-16 clock
E-mail: Mietwerkstatt (at) me.com
www. http://www.mfs-we ...
Wednesday, February 16, 2011
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Mietwerkstatt self wrench in Berlin Hoppegarten Car Crafters Auto Press Center
Mietwerkstatt self wrench in Berlin Hoppegarten
car hobbyist Center
Phone: 0334242402-42
E-mail: berlin1 (at) auto-glass tiger.de
Reinickendorf
tel: 030 46 38 407
Provincial Road 24, Berlin
car hobbyist Center
Commercial Street 17
15366 Dahlwitz Hoppegarten
Monday to Saturday:
08:00 to 20:00 : 00 clock
lift hour 12 €.
more info.
http://www.auto-b...-center.de
Mietwerkstatt self wrench in Berlin Hoppegarten
car hobbyist Center
Phone: 0334242402-42
E-mail: berlin1 (at) auto-glass tiger.de
Reinickendorf
tel: 030 46 38 407
Provincial Road 24, Berlin
car hobbyist Center
Commercial Street 17
15366 Dahlwitz Hoppegarten
Monday to Saturday:
08:00 to 20:00 : 00 clock
lift hour 12 €.
more info.
http://www.auto-b...-center.de
Commercial Offer Draft
tempelhof Gottlieb-Dunkel-Straße 41 12099 Berlin-Tempelhof
Car news tempelhof
Gottlieb-Dunkel-Straße 41 12099 Berlin-Tempelhof
Tel: 030 703 20 71 Fax
: 030 703 24 87
web: www.autopresse-th ...
email: autopresse.tempelhof.gbr (at) freenet.de
opening times:
Mon-Fri. 7-19 Sat 9-14
lift. € 12 hours
Car news tempelhof
Gottlieb-Dunkel-Straße 41 12099 Berlin-Tempelhof
Tel: 030 703 20 71 Fax
: 030 703 24 87
web: www.autopresse-th ...
email: autopresse.tempelhof.gbr (at) freenet.de
opening times:
Mon-Fri. 7-19 Sat 9-14
lift. € 12 hours
Floatel Kerala Kovalam
Cars self-help workshop, Mietwerkstatt. Marzahner Street 21 13053 Berlin Hohenschönhausen
Cars self-help workshop, Mietwerkstatt.
Marzahner
Straße 21 13053 Berlin Hohenschönhausen
lifting platform 6 € / 30 minutes
motorcycle stage including available tools € 8.00 hours
truck hall with a pit there
computer diagnostic € 20.00
opening times: Monday
80-20
clock until Tuesday 8 20 clock
Wednesday 80-20 Thursday 80-20
Clock Clock Clock
Friday 80-20
Saturday by appointment.
Tel: 030 / 986 38 597
Fax: http://www.fahrze...-berlin
: 030 / 986 38 598
In extremely urgent cases:
Mobil: 0163 / 132 45 99
www . de
Email: info (at) on-board self-help-berlin.de
Cars self-help workshop, Mietwerkstatt.
Marzahner
Straße 21 13053 Berlin Hohenschönhausen
lifting platform 6 € / 30 minutes
motorcycle stage including available tools € 8.00 hours
truck hall with a pit there
computer diagnostic € 20.00
opening times: Monday
80-20
clock until Tuesday 8 20 clock
Wednesday 80-20 Thursday 80-20
Clock Clock Clock
Friday 80-20
Saturday by appointment.
Tel: 030 / 986 38 597
Fax: http://www.fahrze...-berlin
: 030 / 986 38 598
In extremely urgent cases:
Mobil: 0163 / 132 45 99
www . de
Email: info (at) on-board self-help-berlin.de
Cardio Machine Heart Rate Accuracy
Cars self-help workshop, Mietwerkstatt st on Heizhaus 1 D-10318 Berlin-Lichtenberg
Cars self-help workshop, Mietwerkstatt
st on Heizhaus a
D-10318 Berlin-Lichtenberg
www: http: / / www.autokl...werkstatt/
e-mail: info (at) auto clinic-lichtenberg.de
opening times:
Mon - Fri 8:00-19:00 or by appointment clock
work without lifting platform 8 € / hour
lift position 10 € / hour
Welder (Gas / Oxy) 12, 50 € /
per every 30 minutes
engine crane, spring compressor, transmission jacks,
state press 4,00 € / per use
Flex, Pullers, Impact Wrenches
and other special equipment
3,00 € / per use
Dozer / bench
45,00 € / per use
Reifenabziehmaschine / balancer
€ 10.00 per hour
Cars self-help workshop, Mietwerkstatt
st on Heizhaus a
D-10318 Berlin-Lichtenberg
www: http: / / www.autokl...werkstatt/
e-mail: info (at) auto clinic-lichtenberg.de
opening times:
Mon - Fri 8:00-19:00 or by appointment clock
work without lifting platform 8 € / hour
lift position 10 € / hour
Welder (Gas / Oxy) 12, 50 € /
per every 30 minutes
engine crane, spring compressor, transmission jacks,
state press 4,00 € / per use
Flex, Pullers, Impact Wrenches
and other special equipment
3,00 € / per use
Dozer / bench
45,00 € / per use
Reifenabziehmaschine / balancer
€ 10.00 per hour
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Workshop: Alexander Bolich Bouchestr 13, 12435 Berlin-Treptow
Workshop: Alexander
Bolich
Tel: 030 / 53,605,792
Fax: 030 / 53,605,794
Funk: 0152 / 01 71 07 23
www: http: / / sevit.de / s...hop_param =
Email: fcc (at)
Bouchestr 13, 12435 Berlin-Treptow sevit.de
lift including basic tools hour 10 , - EUR
lift including basic tools day 90, - EUR
workplace, including basic tools hour 5, - EUR
workplace, including basic tools day 50, - one-time EUR
brake piston reset tool - once EUR
Transmission Jack 5, - EUR
motor bridge unique 5, - EUR
engine crane unique 25 3, - EUR
brake bleeder time 10, - EUR
spring compressor unique 8, - EUR
spring compressor Mercedes single 20, - EUR
puller unique 3, - EUR
Vacuum hour 3, - EUR
tool for oil change unique 3, - EUR
Flashlight hours 1, - EUR
Flex and a blade unique 2, - EUR
drill with drill hour 2, - EUR
gas burner hour 2, - EUR
heat gun unique 2, - EUR
welder Hour 13, - EUR
Automatic winder sleeves time 10, - EUR
extracting wheel hub bearing time 10, - EUR
opening times: Mon-Fri 9:00 to 20:00, Sa.9: 00 - 16:00
Workshop: Alexander
Bolich
Tel: 030 / 53,605,792
Fax: 030 / 53,605,794
Funk: 0152 / 01 71 07 23
www: http: / / sevit.de / s...hop_param =
Email: fcc (at)
Bouchestr 13, 12435 Berlin-Treptow sevit.de
lift including basic tools hour 10 , - EUR
lift including basic tools day 90, - EUR
workplace, including basic tools hour 5, - EUR
workplace, including basic tools day 50, - one-time EUR
brake piston reset tool - once EUR
Transmission Jack 5, - EUR
motor bridge unique 5, - EUR
engine crane unique 25 3, - EUR
brake bleeder time 10, - EUR
spring compressor unique 8, - EUR
spring compressor Mercedes single 20, - EUR
puller unique 3, - EUR
Vacuum hour 3, - EUR
tool for oil change unique 3, - EUR
Flashlight hours 1, - EUR
Flex and a blade unique 2, - EUR
drill with drill hour 2, - EUR
gas burner hour 2, - EUR
heat gun unique 2, - EUR
welder Hour 13, - EUR
Automatic winder sleeves time 10, - EUR
extracting wheel hub bearing time 10, - EUR
opening times: Mon-Fri 9:00 to 20:00, Sa.9: 00 - 16:00
What Is A Brazilian Wax With A Landing Pad
car service and self-help workshop Mathias Krause Berlin-Buchholz
car service and self-help workshop Mathias Krause
Berlin-Buchholz
Hauptstr. 15, 13127 Berlin
Tel: 030 / 47 44 789
Fax: 030 / 48 62 15 78
www: http://www.autose...rkstatt.de
E-mail: info (at) Auto Service -krause-berlin.de
opening times: Mon-Fri 9-20 Clock
Every Wednesday: 17.00 - 20.00 clock + AU HU (GTÜ)
car service and self-help workshop Mathias Krause
Berlin-Buchholz
Hauptstr. 15, 13127 Berlin
Tel: 030 / 47 44 789
Fax: 030 / 48 62 15 78
www: http://www.autose...rkstatt.de
E-mail: info (at) Auto Service -krause-berlin.de
opening times: Mon-Fri 9-20 Clock
Every Wednesday: 17.00 - 20.00 clock + AU HU (GTÜ)
- lift - 12,00 € / h
- special tool - 5,00 € / h
- electrical and welding equipment - 13,00 € / h
- oil - 0,60 € / liter
- oil filter - 0 , 60 € / liter
- oil tank - 0.60 € / liter
- Others by appointment
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bottom of your screen car
Why electric consumers in the motor vehicle, running almost parallel only?
- Electrical consumers get the same voltage.
difference between DC and AC Current.
- In alternating polarity change in direct current and polarity does not change.
Why electric consumers in the motor vehicle, running almost parallel only?
- Electrical consumers get the same voltage.
difference between DC and AC Current.
- In alternating polarity change in direct current and polarity does not change.
Thursday, February 10, 2011
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Describe performance test of the alternator.
performance testing of electrical measuring instruments.
laws in a series circuit for the current intensity, total voltage and total resistance.
-amperage in the circuit to provide all the same.
a total voltage is equal to the sum of the voltages at the Individual Consumers.
Total resistance is equal to the sum of the individual resistors.
Saturday, January 22, 2011
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Communication between art and ecology
It is becoming increasingly difficult to achieve in a particular media company attention. Not only is the media players, but also the other actors involved in public environmental discourse is sometimes very difficult to find methods and to develop strategies to attract the necessary attention of the audience. They use mainly two methodological approaches that of confrontation and provocation.
http://magazin.cultura21.de/kultur/kuenste/kunst-und-okologie.html
Ecological communication is essential for strengthening and promoting environmental awareness, environmental awareness but also for such a response. Art can also make a significant contribution within the meaning of environmental communication.
By Jens Schäfer, Bielefeld
Artistic activity
In this section the following questions: What is
first artistic action and how it differs from everyday action?
In 2 what individual or social sphere of life can it manifest itself? 3rd
What role has communication, understood as a resulting from the social phenomenon of artistic activity in society?
In 2 what individual or social sphere of life can it manifest itself? 3rd
What role has communication, understood as a resulting from the social phenomenon of artistic activity in society?
to (1): What does artistic action and how it differs from everyday actions?
Ecological Communication
communication is due to the anthropological constitution of man, that his opportunities to gain experience. This section will address the questions are what are the terms and conditions of communication, especially of ecological communication, and how experiences, particularly aesthetic and sensual experience possible.
communication requirements
- perception
- thinking
- act
- physicality
- feelings
mediation ecological relationships through art
What approaches are needed to raise the environmental awareness and motivation to act?
Following Fietkau and boilers, which will see a change in environmental consciousness only in a combination of factors and their goal is to convert the environmentally-aware settings in an environmentally friendly operation, contains the following points (see Fietkau / Shell, in : Thorbrietz 1986, p. 19).
1 mediation environmental knowledge
2 mediation of environmental values
third The creation of Opportunities for environmentally conscious behavior
4 creation of feedback incentives
5 creation of incentives for action
2 mediation of environmental values
third The creation of Opportunities for environmentally conscious behavior
4 creation of feedback incentives
5 creation of incentives for action
the learning field, for example, could serve as "art and . ecology are called "
knowledge | attitudes and values | behavior offers | of feedback possibilities | action incentives |
- knowledge of aesthetics, art, perception and Ökologie.-The Relationship between art and ecology illuminate | - willingness to work creatively and artistically himself to be, - sensitivity to the natural environment to develop | - End of time, design courses, art activities and performances are planning on environmental protection. | - Presentation of the work, documentation folder create - use of video, film and photography | - Grants for Artists awards for artists and citizens to actively engage in public areas for the conservation of the environment |
art as a cause of environmental communication
It is becoming increasingly difficult to achieve in a particular media company attention. Not only is the media players, but also the other actors involved in public environmental discourse is sometimes very difficult to find methods and to develop strategies to attract the necessary attention of the audience. They use mainly two methodological approaches that of confrontation and provocation.
confrontation has eg Greenpeace since the beginning of their environmental actions and campaigns of great importance. An unofficial motto of Greenpeace's strategy is the slogan: " The planning of a campaign is planning a public confrontation. " For Greenpeace confrontation is a means to place a matter of concern to so in the public space of emergence of social pressure.
behaves as it is in the art of provocation when the issue is? And how the funds will be used provocation in art?
literature
Amado, Jorge. Tieta of Agreste , Munich 1979
Demeester, Ann. Is art bullet-proof? Essay at the Exhibition of Bjarne Melgaard in Herford "ruin a show," from June 1 to August 18, 2002, p. 1-8
Dundakova, Maria The Poetry of the rites , in:. Art Forum International Vol 142, Oct.-Dec. 1998, p. 130-138
Fisher, Jean to a metaphysics of shit , in:. Ekwui Enwezor, catalog of documenta 11, Ostfildern 2002, p. 63-70
Harlan / Rappmann / Schata. social sculpture, material on Joseph Beuys , Achberg third Ed, 1984
Lenke, Nils / Lutz, Hans-Dieter/Sprenger, Michael. basis of linguistic communication , Munich 1995
Loenhoff, Jens. The communicative function of the senses , Konstanz 2001
Merte, Angela. Total art, Bielefeld 1998
Plessner, Helmuth. Philosophical Anthropology , Frankfurt / M. 1970
Schütz, Alfred / Luckmann, Thomas. structures of the lifeworld vol.1, Frankfurt / M 5 edition, 1994
Thorbrietz, Petra. Systems thinking in journalism , Tübingen 1986
Welsch, Wolfgang. border crossings of the aesthetics , Stuttgart 1996
http://magazin.cultura21.de/kultur/kuenste/kunst-und-okologie.html
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art and science
art as science - science as art
The project " art as science - science as art "presents artists that deal with new relationships between art and science in her work. On the eve of the 21st Century art must, will they be taken seriously, the program of modernity, let a become L'art pour l'art of liberation is behind him. "The moment where art completely in their movement for autonomy as a process of reflection on the concerns itself goes out the general interest. Secondly, it is also an opportunity lost to any future something to say. "(Durs green leg)
http://www.kunst-als-wissenschaft.de/de/das_projekt/
art as science - science as art
The project " art as science - science as art "presents artists that deal with new relationships between art and science in her work. On the eve of the 21st Century art must, will they be taken seriously, the program of modernity, let a become L'art pour l'art of liberation is behind him. "The moment where art completely in their movement for autonomy as a process of reflection on the concerns itself goes out the general interest. Secondly, it is also an opportunity lost to any future something to say. "(Durs green leg)
apply While artists scientific methods to speculate and experiment, the scientists formulate, risky assumptions and go back from a lively and animated nature, the mechanistic revolution had discarded. For the purposes of speculative physics of romance, nature is again seen as something one's self-organizing, controlled but not by a world soul, but by a universal gravitational field. indeterminacy, spontaneity and creativity are the new common key words.
statement: "Every person is a scientist" by Detlef B. Linke
first Every person is a scientist. Can illustrate this by means of the relation of both brain hemispheres. Art History and brain research have dealt with the image layout. In aesthetics (Kandinsky) was situated dark and heavy in the lower left corner. Of neuropsychology, this was set with the hemisphere asymmetry in relationships. The contrary, Sigmar Polke painted a black triangle in the upper right corner. He has demonstrated the free use of the sciences together and made including a contribution to science. Beuys thesis that every person is an artist who can focus more on the creative processes draw in science. The opposite statement that every person is a scientist, can supply the neuroscience critical content.
second be considered is whether the relationship to knowledge postsokratische trains accept: We know that we can know. Neural and Cognitive Sciences (including Artificial Intelligence) develop a knowledge about knowledge.
third Artists are experts on the issue of embodiment of knowledge.
4th Science through art experiences including their extension to reflect on creativity and human existence. In the back-bonding the laws of human social life, she finds her stability.
first Every person is a scientist. Can illustrate this by means of the relation of both brain hemispheres. Art History and brain research have dealt with the image layout. In aesthetics (Kandinsky) was situated dark and heavy in the lower left corner. Of neuropsychology, this was set with the hemisphere asymmetry in relationships. The contrary, Sigmar Polke painted a black triangle in the upper right corner. He has demonstrated the free use of the sciences together and made including a contribution to science. Beuys thesis that every person is an artist who can focus more on the creative processes draw in science. The opposite statement that every person is a scientist, can supply the neuroscience critical content.
second be considered is whether the relationship to knowledge postsokratische trains accept: We know that we can know. Neural and Cognitive Sciences (including Artificial Intelligence) develop a knowledge about knowledge.
third Artists are experts on the issue of embodiment of knowledge.
4th Science through art experiences including their extension to reflect on creativity and human existence. In the back-bonding the laws of human social life, she finds her stability.
http://www.kunst-als-wissenschaft.de/de/das_projekt/
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SAC art exhibition
The SAC resulted Culture Commission in 2009 under the title "hiking destination art and outlooks", the 24th SAC art exhibition in and around the following SAC huts by: Cabane du Mont Fort, Verbier (VS), Wildstrubel hut, Lenk (BE), Etzlihütte, Maderanertal (UR), Capanna Basòdino, Val Bavona (TI) and Anna Cham d'Es-cha, Engadin (GR). For each of these houses four to five artists to present their works and installations have been invited.
http://www.sac-cas.ch/fileadmin/pdf/Sonstiges/SAC_Kunstausstellungen_bisher.pdf
http://alpen.sac-cas.ch/de/archiv/2009/ 200901/ad_2009_01_03.pdf
http://www.videoportal.sf.tv/video?id=ea6d6e9d-54d7-43d0-aa4a-b329f3d7e494
The SAC resulted Culture Commission in 2009 under the title "hiking destination art and outlooks", the 24th SAC art exhibition in and around the following SAC huts by: Cabane du Mont Fort, Verbier (VS), Wildstrubel hut, Lenk (BE), Etzlihütte, Maderanertal (UR), Capanna Basòdino, Val Bavona (TI) and Anna Cham d'Es-cha, Engadin (GR). For each of these houses four to five artists to present their works and installations have been invited.
http://www.sac-cas.ch/fileadmin/pdf/Sonstiges/SAC_Kunstausstellungen_bisher.pdf
http://alpen.sac-cas.ch/de/archiv/2009/ 200901/ad_2009_01_03.pdf
http://www.videoportal.sf.tv/video?id=ea6d6e9d-54d7-43d0-aa4a-b329f3d7e494
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Federal Office for the Environment
http://www.bafu.admin.ch/umweltbildung/index.html?lang=de
http://www.bafu.admin.ch/umweltbildung/index.html?lang=de
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Fund for Environmental Education
http:/ / www.umweltbildung.ch / school projects / examples.html
examples of environmental education projects
An environmental education project can have many faces: a concrete Action out in the country, information and / or awareness project, an intensive, holistic learning experience that leads to changes in consumption patterns, something that leads to a regeneration of nature, etc.
is important here, however, always been that the educational aspect is respected: The objective is to promote skills and the achievement of learning goals, not just activism or nature conservation. Therefore achieve a more sustainable impact of such projects, which are otherwise involved in the teaching and linked with other subjects. In this context the active participation of students as possible to have the project planning, a supportive role.
An environmental education project can have many faces: a concrete Action out in the country, information and / or awareness project, an intensive, holistic learning experience that leads to changes in consumption patterns, something that leads to a regeneration of nature, etc.
is important here, however, always been that the educational aspect is respected: The objective is to promote skills and the achievement of learning goals, not just activism or nature conservation. Therefore achieve a more sustainable impact of such projects, which are otherwise involved in the teaching and linked with other subjects. In this context the active participation of students as possible to have the project planning, a supportive role.
organization of a sustainable week / sustainable excursion "zero impact" |
design of the school grounds |
organize a mobility project |
organization a project "Environment and Health |
organization of an energy project |
organization of a waste weeks |
organization a citizens' initiative |
art and environmental education |
develop and implement an information or communication tool |
at the school, an environmental mission statement |
development of sustainable consumption patterns What is an environmental education project? An environmental education project ... raises the concept more questions than answers? Hopefully the following tips will help to clarify: It is no secret recipe for good environmental education project, but help the following ingredients:
|
http:/ / www.umweltbildung.ch / school projects / examples.html
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black oil clumps in paradise
An environmental art project at EBS
On 17 and 18 September, at the Elsa-Brändström School in Elmshorn a project on energy use and energy justice "with the 11th Year instead. The action was organized by the Climate Alliance, supported by the city of Elmshorn, which is represented as a member of this alliance.
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art meets the environment and renewable energies
Renewable energy is an important issue. But not for everyone - and that's not enough in the Leipzig region living artist Udo A. Heinrich . Again and again, this does with ease and ingenuity, he makes very closely on solar, wind & Co..
with one of the youngest objects of the year entitled "HOW". The artist is dedicated in particular the dynamics of the wind.
on four 80 centimeter by 80 centimeter screens to a changeable work of 160 centimeters by 160 centimeters mounted size, each on a dark, iridescent reason a fine spiral line visible. As the spiral into infinity loses, it can also wind unlimited use, with constant renewal. Sitting on the spiral chrome-colored silhouettes of wind turbine blades, said snapshots that mediate the movement of the wheels and run by the arrangement of the image in the depth and breadth of the possibilities.
feature special in the center of the spiral mount, chrome wheels wind up. The wings take one almost the entire frame. Moving the wheel by solar power - derived from a mounted on the edge of the image solar cell (in the photo is the solar cell for demonstration purposes, exceptionally visible in the top right, ie not attached to the frame) - the one at the back of the Photo mounted special motor drives.
both in nature and in technology are spirals before and trajectories - as is already the reference to the work of art as a mediator between the environment and technology given.
This hybrid works of painting and installation forms part of a series of topics that identifies the artist as "Action Type" . On one side is moving some of the artwork. On the other hand, the works of art should bring that deals with environmental issues the viewer in motion.
http://www.cleanenergy-project.de/9667/
http://www.cleanenergy-project.de/9667/
Lab Number 8 Population Genetics Answers
Mels are art project a harsh environment and removal
Mels SG - The population of the community in the Sargans region Mel wants the project "reflection period" of St. Gallen artist Frank and Patrik know nothing. The idea to cut for a month, ten minutes a day the river, suffered a bitter dissipation in Mel.
Mels SG - The population of the community in the Sargans region Mel wants the project "reflection period" of St. Gallen artist Frank and Patrik know nothing. The idea to cut for a month, ten minutes a day the river, suffered a bitter dissipation in Mel.
Frank Riklin described the outcome of the informal vote "devastating" as: Only 56 people voted for the "reflection period", 636 were against it. The Artist's twins had in the past two weeks some 7,000 ballots distributed in person in the community.
They experienced the Atmosphere in the village close with, "unexpected complicity of spontaneous tea party to the dramatic flight across the field," as the artist said. Now the urn was emptied at the fountain in the square and the votes were counted.
The Melser council had the "reflection period" earlier issued a denial. The fact that Mel's the power should not be turned off, be bad, Patrik told the news agency SDA. He had received from Germany for a request for a similar action.
Frank and Patrik excited earlier projects with original sensation. So they opened in a Civil Defence bunker depths in AR a "zero-star hotel" or invited authorities of the smallest communities in many countries at the "summit" on a mountain of Eastern Switzerland.
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first art project "baby hatch" for plants
A kind of "baby hatch" for unpopular plants is now available in the Westphalian Schöppingen. The world's first "plant flap" - an environmental and art project - making people who are tired of its plants, possible an anonymous delivering into good hands, said initiator Haike noise. The 80 by 60 inches large wooden box with aluminum flap had taken advantage of two people shortly after the inauguration, to leave house plants. So his a withered azalea in the box.
From the "plant cover" can overwhelmed and frustrated owners of plants still make up the end of February in the artist village use. Then, the dispensing station in Frankfurt am Main will be installed. After that they will migrate to other places in Germany. The "plant cover is part of the recently launched project" botanoadopt "noise of the two artists and Torsten Grosch. The idea for this was a serious side. "People should ask to reconsider their perception of nature," said Rausch.
http://www.n-tv.de/panorama/Erste-Babyklappe-fuer-Pflanzen-article55147.html
http://www.botanoadopt.org/
http://www.wdr.de/themen/kultur/3/pflanzenklappe/index.jhtml
A kind of "baby hatch" for unpopular plants is now available in the Westphalian Schöppingen. The world's first "plant flap" - an environmental and art project - making people who are tired of its plants, possible an anonymous delivering into good hands, said initiator Haike noise. The 80 by 60 inches large wooden box with aluminum flap had taken advantage of two people shortly after the inauguration, to leave house plants. So his a withered azalea in the box.
From the "plant cover" can overwhelmed and frustrated owners of plants still make up the end of February in the artist village use. Then, the dispensing station in Frankfurt am Main will be installed. After that they will migrate to other places in Germany. The "plant cover is part of the recently launched project" botanoadopt "noise of the two artists and Torsten Grosch. The idea for this was a serious side. "People should ask to reconsider their perception of nature," said Rausch.
http://www.n-tv.de/panorama/Erste-Babyklappe-fuer-Pflanzen-article55147.html
http://www.botanoadopt.org/
http://www.wdr.de/themen/kultur/3/pflanzenklappe/index.jhtml
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lit literature
environmental expertise as a new culture technology / Nicholas Frank (ed.). - Donauwörth: Auer, 2002
Faber, Malte. - Man - Nature - Science: Foundations of Environmental Education / Malte Faber, Reiner Manstetten. - Göttingen: Vandenhoeck University Press, 2003
Birkel, Simone. - To act environmentally - dare future: principles and mission statements church-ecological education in the context of sustainable development / Simone Birkel. - Münster: Lit, 2002
Kalff, Michael. - Commission to nature and environmental education: theoretical foundations and practical guidance for a deeper Mitweltverständnis / Michael Kalff, with contributions by Jens-Gerrit ice rink ... [Et al.]. - Tuning: Ulmer, 2001
Bilharz, Michael. - "Good deeds" instead of many words? : About the educational value environmental action / Michael Bilharz. - Hamburg: Krämer, 2000
Brandt, Manfred. - From the environment for the contemporary world: the foundation of a new educational paradigm based on the philosophy of John Dewey / Manfred Brandt. - Frankfurt am Main: Lang, 2000
Education for Sustainability: studies on the networking of teacher training, school and environment / Peter Posch ... [Et al.] (Ed.). - Innsbruck: Studien Verlag, 2000
environmental education: theoretical concepts, empirical findings, practical experiences / Martin Beyersdorf (ed.) ... [Et al.]. - Neuwied [etc.]: Luchterhand, cop. 1998
environmental education in teaching and learning / Helmut Gärtner (eds.). - Hamburg: Krämer, cop. 1998
Mertens, Gerhard. - Environment: a human ecological education / Gerhard Mertens. - Paderborn, Zurich [etc.]: Ferdinand Schöningh, cop. 1998
Breidenbach, Raphael. - Challenge Environmental Education by Raphael Breidenbach. - Bad Heilbrunn: Verlag Julius Klinkhardt, 1996
change of perspective in environmental education: exploring and dealing with complex issues / (ed.) Klaus Schleicher ... [Et al.]. - Hamburg: Krämer, cop. 1997
environmental educational discourses: social science, political and educational aspects of ecology-centered education / Bernhard Claussen ... [Et al.] (Ed.). - Frankfurt am Main: Hague and Herchen, 1996
Thiel, Felicitas. - Ecology as a subject: Reflections on an educational experience of a social crisis / Felix Thiel. - Weinheim: German Studies Publishing, 1996
New approaches to environmental education: contributions to an action-oriented and social learning / compiled and edited by Kuno Roth and Marianne Ulmi, ed. by Greenpeace. - [Lichfield]: AOL-Verlag, 1995
Gudjons, Herbert. - Action-oriented teaching and learning: students activation - automatically - project / Herbert Gudjons. - Bad Heilbrunn: Julius Klinkhardt, 2008
Gebauer, Michael. - Child and Environment: Results of an empirical study on the environmental awareness of primary school pupils / Michael Gebauer. - Frankfurt aM, Bern [etc.]: P. Lang, cop. 1994
Kalff, Michael. - Commission to nature and environmental education: theoretical foundations and practical guidance for a deeper Mitweltverständnis / Michael Kalff, with contributions by Jens-Gerrit ice rink ... [Et al.]. - Tuning: Günter Albert Ulmer Verlag, cop. 1994
Knirsch, Rudolf R.. - Explore Our Environment: games and experiments for parents and children / Rudolf R. Knirsch. - Münster: Ecotopia Verlag, 1993
Hands-on environmental education: guidance for schools and teacher training / Regina Marek (Eds.). - Hamburg: Verlag R. Kramer, 1993
glue, Edward Werner. - Broad environmental education: an introduction to ecological and pedagogical thinking / Edward W. adhesive. - Weinheim [etc.]: Juventa Verl, 1993
Sailer, Joachim. - Problem areas of professional environmental education / Joachim Sailer. - Esslingen: Deugro, 1994
The future of environmental education / Helmut Schreier (eds.] - Hamburg:.. Kraemer, cop 1994
ecological design in the agglomeration / Editor: Martin Hoebel-Mävers - Hamburg. R. Krämer Verlag, cop 1992
environmental education - environmental action in urban / Helmut Martin Gardner and Hoebel, Maeve (ed.) -.. Hamburg: R. Kramer, cop. 1991
Ecological participation in the agglomeration / Helmut Gärtner (eds.). - Hamburg: Verlag R. Kramer, cop. 1992
In Bruner, Ulrike. - Environmental Anxiety - Environmental education: Proposals to address the fears of young people from environmental destruction / Ulrike In Bruner. - Linz: Veritas Verlag, 1991
Kahlert, Joachim. - Everyday theories in environmental education: a sociological analysis / Joachim Kahlert. - Weinheim: German studies Verlag, 1990
taste, Ernst. - Opportunities for environmental education: foundations of environmental education and environmental education / Ernst Schmack. - Dusseldorf: Schwann Educational Publishing, 1982
Feeling Weak And Chesty And Itchy Eyes
forest land art dance
http://www.kultur-vermittlung.ch/projekte/projektdetails.html?tx_cabagartprojects_pi3% 5Bproject% 5D = 175 & tx_cabagartprojects_pi3% 5Baction% 5D = detail & tx_cabagartprojects_pi3 5Bcontroller%% 5D = Project & cHash = ad5cc4b740bfcc2a3a23d7f940a5d6ec
http://www.kultur-vermittlung.ch/projekte/projektdetails.html?tx_cabagartprojects_pi3% 5Bproject% 5D = 175 & tx_cabagartprojects_pi3% 5Baction% 5D = detail & tx_cabagartprojects_pi3 5Bcontroller%% 5D = Project & cHash = ad5cc4b740bfcc2a3a23d7f940a5d6ec
Live View / Axis 206m
poison green the river Aare near Aarberg BE. What looks like a chemical spill is in fact a saving test.
http://www.20min.ch/news/bern/story/20083866
http://www.20min.ch/news/bern/story/20083866
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