art as science - science as art
The project " art as science - science as art "presents artists that deal with new relationships between art and science in her work. On the eve of the 21st Century art must, will they be taken seriously, the program of modernity, let a become L'art pour l'art of liberation is behind him. "The moment where art completely in their movement for autonomy as a process of reflection on the concerns itself goes out the general interest. Secondly, it is also an opportunity lost to any future something to say. "(Durs green leg)
apply While artists scientific methods to speculate and experiment, the scientists formulate, risky assumptions and go back from a lively and animated nature, the mechanistic revolution had discarded. For the purposes of speculative physics of romance, nature is again seen as something one's self-organizing, controlled but not by a world soul, but by a universal gravitational field. indeterminacy, spontaneity and creativity are the new common key words.
statement: "Every person is a scientist" by Detlef B. Linke
first Every person is a scientist. Can illustrate this by means of the relation of both brain hemispheres. Art History and brain research have dealt with the image layout. In aesthetics (Kandinsky) was situated dark and heavy in the lower left corner. Of neuropsychology, this was set with the hemisphere asymmetry in relationships. The contrary, Sigmar Polke painted a black triangle in the upper right corner. He has demonstrated the free use of the sciences together and made including a contribution to science. Beuys thesis that every person is an artist who can focus more on the creative processes draw in science. The opposite statement that every person is a scientist, can supply the neuroscience critical content.
second be considered is whether the relationship to knowledge postsokratische trains accept: We know that we can know. Neural and Cognitive Sciences (including Artificial Intelligence) develop a knowledge about knowledge.
third Artists are experts on the issue of embodiment of knowledge.
4th Science through art experiences including their extension to reflect on creativity and human existence. In the back-bonding the laws of human social life, she finds her stability.
first Every person is a scientist. Can illustrate this by means of the relation of both brain hemispheres. Art History and brain research have dealt with the image layout. In aesthetics (Kandinsky) was situated dark and heavy in the lower left corner. Of neuropsychology, this was set with the hemisphere asymmetry in relationships. The contrary, Sigmar Polke painted a black triangle in the upper right corner. He has demonstrated the free use of the sciences together and made including a contribution to science. Beuys thesis that every person is an artist who can focus more on the creative processes draw in science. The opposite statement that every person is a scientist, can supply the neuroscience critical content.
second be considered is whether the relationship to knowledge postsokratische trains accept: We know that we can know. Neural and Cognitive Sciences (including Artificial Intelligence) develop a knowledge about knowledge.
third Artists are experts on the issue of embodiment of knowledge.
4th Science through art experiences including their extension to reflect on creativity and human existence. In the back-bonding the laws of human social life, she finds her stability.
http://www.kunst-als-wissenschaft.de/de/das_projekt/
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